Buyology

Maybe I'm a little late to the party on this one, but this feels a little like a big budget remake of the click through rate. As in, information that encourages us to make decisions that might be unrelated to what we actually should be learning from it. Or better said, it allows us to think we're gaining knowledge when all we're gaining is information. (Of course, maybe I should shut up until I read the book)

UPDATE: This is actually fairly interesting, though...

Life's for Sharing

Here's a pat on the back for Huntington after the brilliantly captured tmobile spot for the Life's for Sharing campaign. Taking a fair bit of inspiration from Improv Everywhere's Frozen Grand Central, this stunt/spot is just about bursting at the seems with pure joy. Love it. Adding to the "of the people" vibe is the hectic 'shoot on Thursday, air on Friday' schedule. Check out the YouTube channel for behind the scenes and teaser video. 

Much applauses. 

There's a certain level of tenseness in this sort of thing, kind of like the Honda skydivers, mostly because of the live feel. By the end of it, you're almost pulling for them to keep it going.

Then there's the music, a build through decades and genres, but lots of universally personal stuff, if that makes sense. Maybe better said, it's rich with association.

It's also a socializing act. From videos like this from random bystanders who happen to cross the shoot, to people who have walked through the same area before, etc. - it's both relatable and personal. The bystanders there sort of act like a proxy for everyone else being in on the joke in a way. 

More than anything, it's just fun to watch. 


Esurance and Cool Credits

Just saw this spot for Esurance come across the telly. Although I appreciate the intent to publicize a relatively unknown band, it may be a little obtuse to the importance of the discovery process. The hope, I presume, is that the audience, elated by the new find, dubs Esurance with a cool credit.

It's possible that I'm far too much of a music snob to understand how most people actually find music, but the massification of putting the band name on the screen sort of ruins the bit of joy one (okay, me) feels when coming across a good up and comer.  It lets everyone "in on the joke" and strips away the shareability. 

As Tim Smith said, "Marketers of the future will not be measured by how well they tell stories to their audience, but rather by how well their audience tells stories about them."

So why take away that story? 

If they had just left the name off, it'd still take an act from me to find the name. While that may seem somewhat somewhat frivolous, it's the act of searching that makes the find more fulfilling. Plus, what do I gain by sharing something everyone already knows about?

Anyway - have you guys checked out that Michael Jackson song, Thriller? I mean, wow. Like seriously...

The Persuaders

"Every effort to break through the clutter is just more clutter. Ultimately, if you don’t have clean, plain borders and backdrops for your ads, if you don’t have that blank space, that commons, that virgin territory, you have a very hard time making yourself heard. The most obvious metaphor is a room full of people, all screaming to be heard. What this really means, finally, is that advertising is asphyxiating itself."


-Mark Crispin Miller, from the PBS's Frontline documentary, the Persuaders.

Sounds about right, no? Although the documentary is about 4 years old, the argument presented seems roughly the same as we're having today, except with fewer references to social media, of course. Which on some level makes today's argument seem a little stale. But maybe that has more to do with Frontline's depiction of advertising folks. You'll probably feel a little dirty after watching this.

As a side note, check out the PBS library of content for some cool stuff. There isn't shit on TV this time of year, so if you want to get all learned up, this is probably a good place to start. You might also check out The Merchants of Cool if you'd like to get a gander at a short-haired Malcom Gladwell.

Find the Purpose. Make a Movement.

To find our purpose, ours and our audience’s, we must create movements. That means using our influence to create a social good. We win by all of us winning. 

Engagement-chain120908

Engagement as a metric has been largely misused as a simple act, no matter the act, as an indication of commitment. An interaction with a banner ad, whether intended or not, this is engagement. Curiosity by shock, attention by near nudity, these would be considered engagement by most models. But this is engagement in the ephemeral, not the beginning of a meaningful alliance. 

Engagement that matters is about caring. It’s the feeling an underdog might experience after pulling an upset. It’s the audience leaning forward with a communal want. 

These experiences can’t simply be created by price points or USPs, and advertising’s big ideas are mostly far too small to cause these social movements that are defined by real behavioral changes. People believe in the authentic. People believe in things they feel matter, both personally and culturally. To expect them to believe in you means you must obsess over more than bottom lines and share their thirst to leave behind something better than came before. 

A professor at the London Business School, Patrick Barwise, simply said, “Often our biggest mistake as managers is believing that, in general, customers care a lot about your brand. They do not.” 

This is our truth. People don’t generally care about brands. They don’t care much about what we say, the logo or the color of the stationary. But they could care very much for what we do. With Evolution, Dove expanded sales by exposing the falsehoods around model culture, but also funded real efforts to change what young women saw when they looked in the mirror. 


When Haagen-Dazs supported the movement to save the Honey Bee, they didn’t just make ads, they created new products and went to the senate floor to plead their case.

 Our goal is not simply to move more products in the name of moving more products, but understanding a brand’s cultural relevancy, creating stronger relationships through social movements and ultimately accomplishing business objectives by enriching the people we serve.

Disturbing Commercial News

A planner walks in the room, sits down across the table from a team of disinterested creatives. She sternly ruffles through her papers to find her just completed creative brief.

She says, "Listen guys, we've gone about as far as we can go with this whole 'squeezably soft' thing. There are far too many other soft brands on the market. We've done double soft, triple-layered and quardruple protection. The research indicates that a quint is simply not a credible claim.  We've lost our USP. But I've got something even better."

The creatives lean forward, listening intently for the first time.

The planner continues,"so here it is, the new proposition is...we don't leave specs of soiled toilet paper stuck to your bum."

Silence befalls the room.

"So your challenge is to tell people we don't leave the specs without inducing a collective audience vomit."

The creatives gleefully exchange glances around the room before shouting in unison, "Bears!"


And thus this disturbing fail whale was begat.


More on Advertising as Doing.

Gavin points to Adrian Ho's brilliant presentation on the relationship between failure, action and where advertising is headed. Or at least where advertising dollars are headed. 

One of my favorite nuggets in the presentation:

"...communications are a very weak way of getting people to do things. So instead of sending out a message that you hope will change people's behaviour, you can enhance a product or service to reward people for behaving the way you want."

Multi-lingual Worker, B's,

Here's Tim speaking at PhizzPop about the challenge and the skills needed to compete these days.

I really like this idea of multi-lingual to describe adaptability. As in, with language strictly, one who speaks Spanish and English can travel in more groups and spread more ideas than someone who only speaks one language. And someone who speaks three languages can more than two. 

Same goes for an agency. If one person only speaks design, but doesn't understand technology or doesn't have interest in strategy, anthropology, whatever, then it not only limits his or her potential, but the ability to impact the thinking of those that also have an effect on the end product. It measures their influence by stifling collaboration.

Planning needs some Planning

The fantastic Gareth Kay reinforced a few thoughts on the collective agency future with his presentation "Planning needs some planning."

From GK:

"My contention is that if a planners job is to make sure the work works (as I believe it is) then we're in big trouble. All the data suggests advertising, more often than not, does not meet its goals and doesn't change behavior. We've done little to address this. We chase new media channels but we don't challenge how we think communication works..."

Now you could argue a couple minor things, but where there is little disagreement (from me, anyway) is what to do next. We must find our point of view and our social purpose, and get there by being defined not simply by what we say about ourselves, but all the awesome things we do. 


Anyway - here's the post, and the presentation.

Failure Continued.

A couple posts ago, I made a quick aside on good failure. Basically, I think there are two kinds, often confused when maybe they should be conflated.

1. Shotgun - the "do tons of things and cross your fingers" approach
2. Scientific - the iterative "i made no mistake but learned one more thing not to do" approach.

Failure3And as I said, I think the answer is somewhere in the middle. We're not scientific enough to embrace the iterative approach all the way. And the shotgun approach doesn't really satisfy the need for fiscal discipline that most companies have. Either way, failure is difficult, so some level of hedging is probably needed.


A few reasons why:


1. The comfort of reach and frequency - While returns are clearly diminishing on any traditional ad buy, we are pretty good with arriving at a rough rate of return. At least it's more knowable than if you don't have those two metrics. Without reach, we're sort of working without a net.


2. The hand wringing, blinding focus on the avoidance of failure - Jonah Lehrer has a post up today about people that remember everything, as in, can forget nothing. Sounds pretty awesome at first, until you read a little further and find that most of them go nuts, often after having difficulty with simple tasks we are able to complete without thought. It's excruciating.

He struggled with mental tasks normal people find easy. When he read a novel, he would instantly memorize every word by heart, but miss the entire plot. Metaphors and poetry - though they clung to his brain like Velcro - were incomprehensible. He couldn't even use the phone because he found it hard to recognize a person's voice "when it changes its intonation...and it does that 20 or 30 times a day."

Which is the way most companies react to failure. They hash and rehash. It paralyzes them for future experimentation, and often causes them to walk away completely after casting the entire thing as something that "just doesn't work." No question we need to do our best to find answers, but we need to be scientific enough to gain the knowledge, while forgetful enough to, as we say in Texas, get back on the saddle.

3. The Luck factor - Frankly, some things were because we just got lucky. We happened to be in the right place at the right time. So for all the picking apart and recap that's possible, it'll never lead us all the way to a replicable solution. In fact, it could keep us chasing after something that's passed. And the inherent luck in some solutions is just unknowable with any level of assuredness.

Bottom line: We are shifting into a culture that favors doing over saying. We know this. And we know doing things creates a situation in which success only comes when we cause a reaction, not simply an impression; reach is unforecastable and frequency matters little. So if you're looking for a pre-destined ROI, you're in the wrong game.

And while scientific failure may be great to help get passed failure avoidance, it may be an obstacle to assessing the luck factor. The shotgun approach is awesome in the name of experimentation, but it sure doesn't make anyone feel all that comfortable. So in that middle ground rests good failure.

(stolen, then butchered pic from flickr)