The Writers Strike is Over

WgalogoThank god. Really. Now we can go back to watching scripted crap rather than reality crap exclusively. It'll be interesting to see just how bad of a hit television took on this one. My gut tells me that it'll be bad, but not all that much worse than it would have been with no strike. The technologies to replace the traditional television viewing experience just haven't arrived to the mass audience yet, and until apple tv or some such gets more pervasive, the networks have a pretty good stranglehold on the middle american living room.

Either way, the time off was at least another notch down for tv, and another notch up for teevee.

But I will be rejoicing to the return of the office.

The Super Bowl in Review

This year is mostly depressing, really. We do have a wide range of super bowl spots from overall suck to poorly conceived to poorly executed and at the far end of the spectrum, flat out racist. It's unfortunate that on our industry's most bloated night, we can only come up with 3 or 4 thumbs up ads...

By far the winner of the night for me was Tide. A simple concept, but interestingly executed and still uncomfortably funny. It may have lost points just because I was waiting for the skittles logo to pop in the whole time. But still, by far my favorite of the night.

Coke made a good showing, so I'll give them the second slot. I can't say Carville and Frist had the best chemistry on screen, but it's a good effort. And this year, it frankly doesn't take much to get near the top. On a side note, Carville is married to uber-Republican strategist Mary Matalin. Wouldn't it have been better if the spot had something to do with that? I seriously doubt most the country knew who either one of them were anyway...

Third goes to Fed Ex. At least they got something out of their production dollar. It's a good looking spot that'll probably give them some good use. Still nowhere as good as last year.

Fourth, back to Coke. It's a good spot, but I think I may just be suffering from the high expectations Coke built up last year. When you hit so many home runs, it's that much harder to leg out a triple from a double.

And fifth I'll throw to the boys over at Dallas' Richards Group. Both the Bridgestone spots were funny and entertaining and scored up near the top of every ad tracker.

Honorable mention goes to Audi for the Godfather. It feels like something is missing, but it's an intriguing spot at the very least.

And the big losers, Career Builder sucked it bad. I wonder if they're regretting the decision to ditch Cramer Kressalt this morning. My guess would be yes. Whoever made that decision is a fucking moron. Geico should have let the Cavemen die. It was already ruined by the awful ABC show, and the only way to save it would have been to bring the original Cavemen back. I hate these guys for ruining a funny bit. And, Sales Genie. Hopefully racism does not mean sales and they consider either stopping the non sense or hiring some proper help next year. Under Amour should be mentioned as wasting a fuck ton of money for an overproduced mess. It looked like they cut corners, used an unoriginal idea and tried to say or nothing or too much. I haven't really figured it out yet.

And that's all for this year. Many more like this and these day after write ups will probably stop being written. At least Miller picked up the pieces a bit today.

Thanks for the racism Sales Genie

SgmainlogoI'm seeing a pretty big spike in traffic right now thanks to the company that's proving that putting a shitty ad in the Super Bowl is more than a once in a lifetime opportunity. Thank you Sales Genie. After talking some shit about last years painfully un-entertaining (but reportedly successful) spot, I jumped up to page one in a Sales Genie google search (along with Cam). And one year later, Sales Genie's racism will likely keep me there another year.

Look for a more complete round-up tomorrow when all the ads are online. But as the magic 8 ball would say, outlook not good.

And sales genie, please, NO MORE IN-HOUSE ADVERTISING FOR YOU!

Sales Genie Super Bowl Commercial

http://lads.myspace.com/videos/vplayer.swf

Tune In Saturdays: Sharon Jones and the Dap Kings

SharonjonesFor some reason, I just can't get enough funk and soul as of late. The only problem with that shift in taste is the lack of current stuff to actually get out and see live, until Sharon Jones and the Dap Kings rolled through Dallas last Sunday. Seriously cool stuff. Their albums are all recorded on 60's equipment to keep that authentic motown feel, but even their live shows retain that old school slant and strut. I've never seen so many white people dancing so horribly in one place before. Good stuff. The Dap Kings can also been seen hiding crack from Amy Winehouse as her backing band and as a recording partner for Mark Ronson.

From Pitchfork:

Among the biggest keys to the Dap-Kings' success is that Jones is a fantastic singer, a masterful soul vocalist in the best tradition of Etta James, Bettye Lavette, and Irma Thomas. She can wail when she needs to, has access to a gentle falsetto when the song requires it, and has impeccable control, with a full-throated tone that grabs your attention. Jones isn't a fresh-faced youngster imitating her heroes, either-- she was at it in the 70s, singing backup on funk and disco records while seeking her own big break, but moved to gospel in the 80s when her style fell out of favor. In between her early career and her revival in the mid-90s, she worked as a prison guard and also did armored vehicle security work, and she brings the same tough, no-nonsense approach those jobs require to her music.

The band, and lead composer Gabriel Roth (aka Bosco Mann) in particular, has a firm understanding of the material they're channeling. This is not pastiche-- it's soul music that came along about thirty-five years late. The production is so spot-on it's like a time warp, and drummer Homer Steinweiss inhabits his decades-old beats so thoroughly he makes them feel fresh again. You get the sense of musicians in a room together, and the horns blend in the air of the studio before ever reaching the mixing board. This music is a throwback for sure, but it's so uncontrived that it doesn't come off like one.

Home.MySpace.

Sharon Jones and the Dap Kings - Tell Me (mp3)
Sharon Jones and the Dap Kings - 100 Days, 100 Nights (video)

Sharon Jones and the Dap Kings - Live in Dallas (video)

The Relax Campaign

Three weeks ago, I spiraled into total scramble mode to pull together a late-breaking campaign for Gordon's Jewelers, (a division of Zales for those of you who haven't heard of the brand). It's a simple little concept. Most jewelers are building up the moment of gift giving to a "do or divorce" moment. Give the perfect gift or be gone forever. We say Relax, because she loves you already.

Here's the series of "spots" we kept. Just a few days after approval of the campaign, we were out on the street, finding real couples to talk about their feelings for each other. Fun stuff. Below are the three couples we went with. You can see them in the obligatory Relax microsite here, where you can also try out the gift finder to help you find the right gift for your own little lady. You'll probably see these around the interwebs in various places.

Anyway, I generally try to avoid yapping on about my own work. I prefer to bitch about what other people do. But I'll make an exception here cause I think the couples are cute as hell. Maybe I'm just getting older, but they were certainly stupid grin inducing for me, at least.

There ya go. Now my very busy couple months will start easing up (fingers crossed), and you'll get to hear more of my usual rantings and ravings. Thanks for you patience blogo-peeps.

Matt and Tanya

Cole and Meredith

Derrick and LeRonda

 

Winner: Best Ad of All Time

So we're looking at trying out Google click-to-play for a client of mine, so I figured I'd do a little testing on my on my blog first. That way I can pay to drive traffic to my blog that I've been shit about updating. Then new visitors will be annoyed and not come back! Perfect planning! Anyway, sorry for the lack of updates, I've got a few tigers by their tails and trying to make them all awesome can be a bit time consuming. Back soon, promise.

Anyway, please enjoy making fun of the first ad for Hee-Haw Marketing. It was conceived, shot and uploaded within 2 minutes. I am the man.

Hee Haw Marketing BS ad from paulmcenany on Vimeo.

Tune In Saturdays: Richard Hawley

RichardhawleyIt's not often you find a British-born country pop crooner, but here it is with Richard Hawley, former guitarist for the greatness of Pulp. Hawley's crooner styling, reminiscent of a Bacarach meets Orbison with a dash of Neil Diamond, provides a fantastic force in front of a beautfiullly orchestrated gem. Hawley obviously has some trouble figuring out what exactly he wants to be, but really, they're all good choices so why not just play them all.

From the BBC:

Lady’s Bridge sees the scope broadening further from Coles Corner, into an album that sees the average tempo lift a notch. Anyone expecting a radical new dance direction will be disappointed. He has seen that the wheel is doing fine for now and intends to leave it that way. While Hawley’s sweetly dark, yet doomed romantic voice - not lightly is it compared to Scott Walker, Roy Orbison and Jim Reeves - intones tales of past love, wanderlust and heartbreak. Oh, and in the swelling swoonery of lead single “Tonight The Streets Are Ours”, ASBOs. On the magnificent “Lady Solitude”, Hawley evokes a hard worn northern Leonard Cohen, and blooms on the bruised romance of opener “Valentine”, while the gentle skiffling “I’m Looking For Someone To Find Me” lifts the spirits immeasurably.

Overall, Lady’s Bridge is an utterly lovely, timeless album that Hawley can be proud of, and deserves to further his cause in becoming a proper national treasure. Don’t let him get robbed again.

Richard Hawley - I'm Looking for Someone to Find Me (mp3)
Richard Hawley - Serious (video)

Age of Conversation: Authors Gone Wild

Conversation_2You've all read the first iteration of the world famous blogger book Age of Conversation, now it's time to make a 2008 version. It'll be bigger, better and even bookier than the first. Guaranteed. Read all about it over at Drew's place.

So here's what you need to know. If you're looking to throw in your two cents, email Drew, and let him know you're interested.

Then head on over to survey monkey, and tell Drew and Gavin what the topic should be. The options are Marketing Manifesto, Why Don't People Get It?, and My Marketing Tragedy (and what I learned). Please join me in voting for Marketing Manifesto. I like it better. So should you.

And congrats to fellow AOC contributer David Armano for manning up and accepting the promotion to the  leader of the collective creative contribution (not a title, just a descriptor) from Critical Mass Chicago. It's a big step for one of our best, but as they say in the South, you gotta shit or get off the pot. Thankfully for our industry, David has chosen the former.

 

Tune In Saturdays: Evangelicals

EvangelicalsWell, it's official. There are at least two good things to come out of Oklahoma. No, it's not tornadoes and trailer parks. It's the Flaming Lips and a Norman, Oklahoma band they quite obviously influenced, the Evangelicals. While it's hard to be quite as weird as the lips, or as weird as they used to be anyway, the Evangelicals are full of oddity-infused psych-pop, some nice melodies and a grungy backbone. Good stuff.

From Stereogum:

"This is a great album, a big, sprawling, mess of a trip through the band's unhinged and unruly musical vocabulary. It's a strain of pop, no mistake there; but as made by kids from Oklahoma weaned on the Lips and Scooby Doo re-runs, on 8-bit pastimes and '80s bands (U2, the Smiths, even the Cure circa "Just Like Heaven" come through virtuosic singer-guitarist Josh Jones's home blend). Now take that mess of modifiers and run it through a kaleidoscope, and you've got the mighty first cut:"

Evangelicals - Skeleton Man (mp3)
Evangelicals - Another Day (video)