The Fragmentation and Consolidation of the Broadcast Network

TelevisioncontrolroomThe broadcast networks reaction to slumping ratings has been completely fascinating. We know that they're down about 10% from last year, and will continue to plummet after there's just reality tv and reruns left. But do the viewers leave the set altogether, move to cable, or spend more time online? With expanded online efforts, much of those ad dollars can still be kept within the same companies, at least for now.

While these networks lose steam on television, they’re still picking up in other places. With distributed platforms like Hulu, which spans across multiple properties from myspace to aol to msn video and beyond, they seem to be recreating a model that has fed the networks for forever, gain the assets that allow control of the eyeballs. Much like when those same networks adapted from radio to television, they have the talent and resources to maintain a competitive advantage. But unlike the previous shift, the cost of distribution has dropped dramatically.

But as I've been ranting about, it's still mostly a factor of money and filters at this point. Google, Yahoo or Amazon has just as much chance to become the next big network aggregator. Someone has to fund the shows, and then someone has to filter out the crap and let the good stuff be easily found. And there's no reason for that to be the traditional network system that they're trying to recreate on the web.

And of course, there’s also a much bigger piece of the pie for us, as well. With the addition of new content networks, it looks like we’ll have a future of consolidated fragmentation. It’s all musing at this point, I guess. But it’ll be a fun ride.

Tune In Saturdays: Peter Von Poehl

PetervonpoehlLooks like our friends over at Bella Union have hit on another singer-songwriter, crooner type. This time it's Peter Von Poehl, swedish by origin, now residing in Berlin, and with a website written in French because of some random spins on a French radio station that turned him into an instant smash. It's minimalist in nature, sounds a bit like Air in their quieter moments,  and has a tinge of tune in alumni Lonely, Dear. Fantastic stuff.

From Drowned in Sound:

Going To Where The Tea Trees Are won’t give you an energy boost, but it might just smooth away the worry lines. In Peter von Poehl’s world, everything feels under control, measured and purposeful. There is plenty of room to breathe. How you react to this record is, therefore, rather dependent on your mood, because such restraint is deeply frustrating and alien when life is slipping out of your grasp and you want to smash things with hammers. It’s too twee; too perfect.

But if you let it, if you let go, this album will blow away the cobwebs like a spring breeze, taking you far away from grimy streets and council tax bills.

Home.MySpace.

Peter Von Poehl - Going Where the Tea-Trees Are (video)

Peter Von Poehl - The Story of the Impossible (video)

Hulu Kicks Ass. There, I said it.

HululogoSo yes, I've talked my share of trash about Hulu, which was once coined ClownCo by the crew over at Google, and seemingly for good reason after NBC pulled their clips from YouTube. We were alll waiting for some sort of ugly, myspace monstrosity from the join venture between NBC and Fox Interactive. Just about every sign pointed to suck.

But it's awesome.

Past some small navigational issues and a need for a bit better search capabilities, the thing is nearly flawless. The proof will come in about a year or so after more and more advertisers clamor to be involved, but so far, the ads have been largely unobtrusive. Outside of the longer episode, spots have only played for me after I'm done watching the clip. It's not really a post-roll, but plays while offering suggestions of other clips and episodes I might like. There was one mildly annoying banner that popped up at the bottom of one video, but it's not really so obtrusive considering the zen-like web 2.0 design and comfortable amounts of white space.

Full screen transitions are flawless, you can embed clips or any piece of a clip you choose, the platform also includes movies, and frankly works well as a separate entity from youtube. The separation actually makes it easier to find exactly what I'm looking for rather than hoping to find the right clip from digging through the packed YT library. Each has its own place.

And here's a couple screen shots of something that blew me away more than just about everything. Search for Lost, Ugly Betty, or whatever from ABC, or Survivor and any CBS show, and you get links to their video offerings as well. Someone at Hulu actually figured at that by making it easier to find other networks' shows it actually became a much better starting place that allows me to get to any network content rather than just the stuff they own.
Hulucbs_2
Huluabc_2
So a couple weeks into my beta experience, and I'm sold. I'm a fan. Very nicely done, boys. With the recall rates of online video soaring above traditional television, now is probably the time to move in the direction if you have the cash and inclination to do so.

http://www.hulu.com/embed/Glc1XC4GX_mvrIi4Q3xtE7SeXuBTkbNf

Tune In Saturdays: The 1900s

The1900sStraight from the internet buzz bin, here's the 1900s, a sort of Austin-sounding septet from the land of Armano, deep dish pizza and Ditka. It's a mish-mash of fairly straight forward pianos and strings, sounding like a cross between a folksy Spoon and tune-in Alums Camera Obscura.

From Pitchfork:

A collection of what? Ceramic chickens? Snowglobes of the 50 states? Souvenirs of their victims? Twee-pop on vinyl? The 1900s-- who shouldn't be confused with the 1990s or MC 900 Foot Jesus-- most likely have the latter: The Chicago septet apparently sprung fully-formed from the womb of the local psych-pop scene, releasing an EP before playing their first show and then getting signed on the basis of that show. "Everybody's Got a Collection", an outtake from their upcoming full-length, Cold & Kind, is a swirling synthesis of graceful strings, folk-pop guitars, tinkling pianos, and cooed backing harmonies. Underneath that candy shell, however, is a bittersweet chocolate center: "Let's not pretend that I'll drop everything for you," Edward Anderson sings, not as a coldhearted kiss-off but as a statement of supremely realistic expectations.

No videos yet, but hopefully we'll see one soon.

Home.MySpace.

The 1900s  - Everybody's Got a Collection (mp3)
The 1900s - When I Say Go (mp3)

Round Two: Fight!

I'm now into the finals of Gavin's super contest for the Bargain Queen, aptly named "So You Think You Can Market?" (how the hell am I supposed to punctuate that?)

Go here to read, then vote. I fear I'm about to receive an ass-kicking of the first degree with this guy's army of classmates and facebook friends, but you can make my loss just a little less humiliating.

And because I have no photo to post, you can see what a bored Sunday afternoon will do. Here's my shitty music video for the Silver Arrows. Enjoy it. Or don't.

I'll miss you IPod Touch. We would have made a great pair...

Tune In Saturdays: King Khan & the Shrines

KingkhanJames Brown + Detroit Rock & or Roll = Awesome.

Please enjoy King Khan & the Shrines.

How's that for a review?

From Pitchfork:

Thing is, the gritty production of this latest Shrines record might beat Black Lips in the  painstaking reproduction department, and underneath that analog hiss is a clever pastiche that hits those nostalgia buttons while sneaking in moments of cacophony and synthesis. "69 Faces of Love" adds strings and brass to cool "Love Potion No. 9"-style rock before a layered and bewildering bridge that's like a middle-school marching band taking on Steve Reich. Elsewhere, Khan plays a bizarro-world James Brown who demands only bum notes from his band on the breakdown of "Land of the Freak", and "In Your Grave", with its bubbling wah-wah over a simmering rhythm section, is another sly nod to the future (or at least the early 1970s).

Home.MySpace.King Khan & the BBQ Show

King Khan & the Shrines - Mr. Supernatural Part 1 (video)

King Khan & the Shrines - Welfare Bread (mp3) Be careful with this one. It's a jam.
King Khan & the Shrines - No Regrets (mp3)

If I Don't Get a Brand New Ipod Touch, It's Your Fault

Bqcomp1_2How's the for displaced blame? Or is it misplaced blame?

Either way, Gavin's running a contest to see who can make The Bargain Queen the manly hot spot for gift buying this Christmas. I've already gotten to the top 4 (okay, there were only four entries), but I need you to go vote for my somewhat ill thought out assessment of the TBQ. I like new toys, so even if you think I suck, I will still gladly accept your vote. Or vote for the other guy. Just vote.

Here to read.

More on the Strike

WritersstrikeA faithful viewer of the Daily Show or the Colbert Report like me, or any other late-night talk show surely has noticed by now that the networks are run by idiot lawyers who are less concerned with long term solutions and doing the right thing than with making the most short-term dollars as possible. Assholes.

The last big writers strike in '88 led to a 22 week break from new teevee. Back then, the choices were much fewer, for both the viewer and the writer. And tv still took a significant loss. Now everybody is a potential star. The TV executives are morons. I don't think that can be said strongly enough. The industry took a huge hit 19 years ago, but 22 weeks off today may just be the final nail in the coffin.

And good riddance, networks are little more than brands when distribution is nearly free, and brands aren't doing all that great past Apple and Google. Nobody really gives a shit about NBC, they watch for the Office, 30 Rock and Conan O'Brien. But, that's a concept apparently lost by these pompous executives.

But I vote it lasts 22 weeks. Shit, I hope it last 222 weeks. Let's start this thing over and see where we could really take entertainment and information with the investment base a little more spread out. Not saying it'll work better necessarily, but it sure as hell will be a lot more interesting.

Support your writers. F the networks. And then invest like hell in new talent. If this thing lasts long, there will no doubt be a new ruling class ushering in a new era for our entertainment industry (and much more quickly than it would have happened otherwise). And it probably won't be focused in LA.

Really, It's Just Media. Pay up.

Just one quick thought on the WGA strike. What if all those rich writers put some money together and distributed their own content on the web? What if the crew from the office got together and told NBC to go fuck themselves, and made their own version?

For the first time ever, that could actually happen. These networks are playing with fire. Not surprising when you throw common sense out the window and let lawyers run your company. It's apparent that being a big media conglomerate requires that you become stupid and out of touch. Same mistake, over and over, doesn't matter if it's the networks, record labels, the mpaa, riaa or Prince, it's a constant struggle for sameness when there's nothing left that's the same.

Luckily, Ze Frank came back to break up the blackout.